1001 Ways to Romance’s Neighborhood

Land, air, and ocean ... today's theme is about that and also about vessels of transportation.

PANDA TRANSPORT
pandatransport.com ♥ myspace.com

According to Panda Transport's biography, they are a Frenchman (Ti) and an American woman (Kat). They play a sort of low-fi indiepop music. Their EP, Monorail was released last month.

What I immediately like about the duo is that Kat's sweltering vocals sometime makes their music sound like a lazy evening at a jazz club. However, the upbeat music can be as fun as on "Monorail" to somewhat silly "Freakshow" (complete with doo-doo-scat).

The one non-Kat song, "Cicadas in Stereo" definitely stands out. I'm also not certain what is being sung on this line: "I want to ____ every single butterfly"? Did I just hear that right?

You can hear their entire EP streaming at their official website.

I will say this, they're cute, and their songs reminds me of one of my favorite band the Would-Be-Goods if they were to go jazz lounge. You can pick up Monorail digitally at usual (itunes, le amazon). Physical CD list can be found here (available last Tuesday?).

Tour Dates 01/23/10 Borders  Charlotte, NC 01/30/10 Borders  Apex, NC 01/21/10 Paris-Mann  Grill Canton, GA Discography [Oct 2006] End of the Ride [Nov 2009] End of the Ride Revisited

PARIS KEELING
pariskeeling.com ♥ myspace.com

I will admit that what made Paris Keeling's CD packaging for End Of Ride Revisited memorable was that it came with this cardboard plastic airplane. Which I did put together and had a twirl (it took a nose-dive and crashed).

Paris Keeling's moniker should be obvious when you hear that it's from their two main songwriters, Marty Paris and Kelly Keeling's name. You can deduce this from hearing the introduction on their live track "Head Straight". Speaking of which, I kind of wish there were more live tracks on this album. I think this is the band's strong point, jamming and playing to an audience. You pick up the energy in the vocals, while their studio tracks seems too well-polished and produced.

As suggested by "Revisited", this is the second release of End Of Ride. Based on seeing the tracklisting for the original release, this new version comes with a different track order and contain new songs (mostly at the end of the track order). Two songs were left out of the revisited album, "Welcome" and "Middle of the Road", so I suspect due to the time limitation of the CD format.

It seems obvious to me that singer Paris Keeling's been singing and playing for most of his adult life (a quick biography check tells me that he's played on Alice Cooper's Hey Stoopid, so the guy's been around!).

The new revisited songs started with an aggressive guitar song, "Don't Disturb The Occupants", so I thought the band's new direction would be more hard-rock ... but I was quickly corrected with a 'sensitive'-type song, "Feel", and acoustic-ish "Alive".

The one stand-out track for me is the all-guitar song "I Learned from the Inside", which demonstrate what an excellent guitar player Marty Paris is. As I previously mentioned, I think this band will be at their best by playing live to an audience. They are doing some instores and appearing live at the end of January, check them out if you're in the area.

Tour Dates 01/21/10 Beaumont Club - SOLD OUT!! Kansas City, Missouri 01/22/10 Diamond Ballroom - SOLD OUT!! Oklahoma City, Oklahoma 01/23/10 The Pageant- SOLD OUT!! St. Louis, Missouri 01/24/10 Egyptian Room at Murat Center - SOLD OUT!! Indianapolis, Indiana 01/26/10 Majestic Theatre - SOLD OUT!! Madison, Wisconsin 01/27/10 Madison Theatre - SOLD OUT!! Covington, Kentucky 01/28/10 Lifestyle Communities Pavilion- SOLD OUT!! Columbus, Ohio 01/29/10 Ram’s Head Live - SOLD OUT!! Baltimore, Maryland 01/30/10 Norva Theater - SOLD OUT!! Norfolk, Virginia 02/01/10 Music Farm - SOLD OUT!! Charleston, South Carolina 02/02/10 Freebird Live - SOLD OUT!! Jacksonville Beach, Florida 02/03/10 The Ritz Ybor - SOLD OUT!! Tampa, Florida 02/04/10 Culture Room - SOLD OUT!! Ft. Lauderdale, Florida 02/05/10 House of Blues - SOLD OUT!! Orlando, Florida 02/06/10 The Melting Point - SOLD OUT!! Athens, Georgia 02/08/10 WorkPlay Theatre - SOLD OUT!! Birmingham, Alabama 02/09/10 Varsity Theatre - SOLD OUT!! Baton Rouge, Louisiana 02/10/10 Revolution Music Room - SOLD OUT!! Little Rock, Arkansas 02/17/10 Komedia Theatre Brighton, UK 02/18/10 Electric Ballroom **VENUE CHANGED** London, UK 02/19/10 O2 Academy Oxford Oxford, UK 02/20/10 O2 Academy 2 Newcastle Newcastle, UK 02/21/10 O2 Academy 2 Birmingham Birmingham, UK 02/22/10 Manchester Academy 2 Manchester, UK 02/24/10 Melkweg - SOLD OUT!! Amsterdam, Netherlands 02/25/10 Orangerie - Botanique Brussels, Belgium 02/26/10 Le Nouveau Casino Paris, France 02/27/10 Die Werkstatt Cologne, Germany 02/28/10 59 to 1 Munich, Germany 03/01/10 Magnet Berlin, Germany 03/02/10 Amager Bio Copenhagen 03/12/10 Great Hall, Auckland Town Hall (w/ Cobra Starship) Auckland, Auckland 03/14/10 SMX Convention Center, Hall 1 & 2 Manila 03/16/10 University of NSW Roundhouse (w/ Cobra Starship) Sydney, New South Wales 03/17/10 The Tivoli (w/ Cobra Starship) Brisbane, Queensland 03/19/10 The Hi-fi (w/ Cobra Starship) Melbourne, Victoria 03/20/10 The Hi-fi (w/ Cobra Starship) Melbourne, Victoria 03/21/10 Metro City (w/ Cobra Starship) Perth, Western Australia 03/30/10 Knitting Factory Boise, Idaho 03/31/10 Knitting Factory Spokane, Washington 04/01/10 Paramount Theatre Seattle, Washington 04/02/10 Vogue Theatre Vancouver, British Columbia 04/03/10 Roseland Theatre Portland, Oregon 04/05/10 The Fillmore San Francisco, California 04/06/10 The Fillmore San Francisco, California 04/07/10 The Fox Theater Pomona, California 04/08/10 Soma San Diego, California 04/09/10 Club Nokia Los Angeles, California 04/10/10 Marquee Theatre Tempe, Arizona 04/12/10 Salt Air Theater Magna, Utah 04/13/10 Ogden Theatre Denver, Colorado 04/15/10 Stubb’s Waller Creek Amphitheatre Austin, Texas 04/16/10 Verizon Wireless Theater Houston, Texas 04/17/10 Nokia Theatre Dallas, Texas 04/19/10 War Memorial Auditorium Nasvhille, Tennessee 04/20/10 The Tabernacle Atlanta, Georgia 04/22/10 Constitution Hall WASHINGTON, Washington DC 04/23/10 House of Blues Boston, Massachusetts 04/24/10 Terminal 5 **MATINEE ADDED!** New York, New York 04/24/10 Terminal 5 - SOLD OUT!! New York City, New York 04/25/10 Electric Factory Philadelphia, Pennsylvania 04/27/10 Sound Academy Toronto, Ontario 04/28/10 House of Blues Cleveland 04/29/10 Royal Oak Music Theatre Detroit, Michigan 04/30/10 Aragon Ballroom **VENUE CHANGED** Chicago, Illinois 05/01/10 State Theater **MATINEE ADDED!** Minneapolis, Minnesota 05/01/10 State Theatre Minneapolis, Minnesota 05/02/10 Eagles Ballroom Milwaukee, Wisconsin Discography [2008] Maybe I'm Dreaming [2009] Ocean Eyes

OWL CITY
owlcitymusic.com ♥ myspace.com

Universal Records sent me this promo to listen to last year. At first, I didn't know why they'd do such a thing, I'm actually not a big fan of pop music. And I loathe autotune. But then, as I found out talking to a local blogger at a concert last year that I was told that Owl City is some dude in his basement who lives in Minnesota. We thought that was so weird, considering that Owl City is the hottest/best-selling on the Billboard Top 100 (for "Fireflies"). As it is, Owl City is the stage name of Adam Young.... and his certified "Gold" album is called Ocean Eyes.

So. All of Owl City's songs are autotuned (with the exception of "Vanilla Twilight"?). I guess this is just the state of modern pop music. Just check out all the top forty bands and they're using it. I guess I don't really get it. Of course, I also don't understand the Lady Gaga, who every young person I know is in love with her.

Anyway, I even made a point to listen to Owl City's hit song, "Fireflies". It was OK. I can see why people would like this song about being an insomniac, especially that line "I'd like to make myself believe that planet Earth turns slowly".

If I were to pick some good songs, I did like "Umbrella Beach", "The Tip Of The Iceberg" (for the fading in and out) and "The Saltwater Room" (mostly for the duet with Breanne Duren). Duren's vocals was a nice change of pace, and incidentally I saw last year. I described her as a quiet girl with her Casio keyboard.

Well despite my not-so-fondness of Owl City, it looks like he's doing quite well for himself. He's playing to a bunch of sold-out shows, so if you are a fan, I suggest picking up tickets before they sell out. I am definitely not the demographic for Owl City, but I'm happy to see this Minnesotan doing so extraordinary well.

PS, if you were wondering what's on the cover, it is the hotel Burj Al Arab

If you follow our Britpop Podcast, you know that I've had a bizarre obsession with all UK bands since 1991. Admittedly, between Sally & I, we'll confess that we may not keep up with the latest/hottest UK bands, but we do know what we generally like.

Scanners basically got all the right formula for my music taste: melodic, a little upbeat (even dancey), great guitar playing and great lyrics delivered by a girl singer called Sarah Daly.

Since the band's formation in 2004-ish, they've been doing the tried-and-true singles releases. They finally worked their way to their debut album, Violence Is Golden in 2006, all the while opening up for established acts like The Charlatans (a Britpop favorite here) and The Wedding Present.

With 2010 here, Dim Mak Records is releasing their sophomore album, Submarine next month. We have an advance promo that I've been listening to non-stop since December. I knew the instant I heard their opening track, "Jesus Saves", that they had me at "Each picture tells a story/we've seen it all before/it's either death or glory/of casualty of war.".

I believe their first single from the new album will be "Salvation", although an excellent track, I felt there were stronger songs. However, the song does feature some great lyrics like "I'll take you to my grave" (by the sound of the song it's more upbeat than depressing). You can sample a B-Side off their single by downloading the Don Diablo remix of the track on RCRDLBL. I found out about the free track via the Dim Mak mailing list.

I did download the remix and I'll have to say, it's very bass-heavy. The song sounds very different from the album mix, and doesn't really represent Scanners, in my opinion. What I like about Scanners is that they're lyrical, and the remix strips out all of the lyrics and made it into a techno dance song. There's a time and place for that, just not what I like about the band.

The electronic/dance thing does bring up an interesting point though: Scanners seems like a band that balance the electronic/synth and indierock. I really like that about them.

Other songs to consider for my new mixtape will probably be between "Jesus Saves", "We Never Close Our Eyes" and "Sleepwalking Life". There is one strange song called "Half a Mind (Dreamer Forever)" which is really good, except it's fades out suddenly at the end of the song.  Kind of fitting for a 'dream' song, I suppose.

2010 is starting off wonderfully with Submarine. If you generally like British music, you'll find that Scanners will fit nicely in your collection. I know you'll probably forget when their album is release next month, so I'll make it a point to announce their touring dates (if any are announce) in the upcoming months. Watch this space.

Update 1/7/09 11am: I just found out that they have a video for "Salvation".  I just watched it... Just live footage and someone drawing lines.  Kind of uninspiring, in my opinion.

albeit censored because WON'T SOMEBODY THINK OF THE CHILDREN!??!!1111?!

Why apropos? Because the video is filmed in San Francisco's favourite "disorderly house injurious to the public welfare and morals" - the DNA Lounge which is currently shuttered for a month in order to appease the soulless joy-vampires at California's ABC as one of the many skirmishes in the war on fun.

Kordan, I’m still befuddled.  When I finally sat down for a proper listen of Longing, my immediate thoughts were “where did I go?” and “how long am I staying for?”  As I’m sure I mentioned in previous reviews, the power of Kordan lies in their ability to transport listeners to a strange, rich realm of multi-sensory experiences.  Perhaps that’s an exaggeration; but for most of us, whose lives are defined by shopping malls, mid-size vehicles, Starbucks lattes, and the occasional wild night of domestic brews and bar darts, Longing feels like a vacation from the mundane.  We will never be this hip, but for roughly half an hour we can pretend.

The Longing is essentially an elaboration of Fantasy Nation, Kordan’s first EP released July of last year.  Same bag of tricks, that is.  Dizzy, spacious sound layers over a steady beat—at the core, dance grooves with an experimentalist complex.  Where Fantasy Nation tapped the club vein, Longing searches for the abstract quality of pop music.  Listening to the album is like listening as a musician attempts to define city or love or life simply in audio.  Of course, this reads pretentious, as does any creative adventure that involves conceptual thought.  The reason I’m not harder on Kordan is simple:  despite the possible pretense, I can’t imagine the band playing any other style of music than this ultra stylized pretty.  There’s truth in purposeful cool, even if it’s easy to spot the GWBs (Girls With Bangs) and BWGs (Boys With Glasses) somewhere in the crowd.

Thanks to production magic or magic hands, “Fantasy Nation” and “Tokyo Tears” softened a bit from their EP debut:  flavors steeped, mechanics fine tuned, less thrust more lust.  Actually, compared to Longing, Fantasy Nation sounds decidedly reduced, as though Eisele and co. were practicing for grander occasions.  Such is the occasion.  Besides “Fantasy” and “Tokyo,” tracks like “Mirror” and the haunting “Shinjuku” stand out while in sum, the album remains fairly amorphous.  Eisele’s distant vocals amidst the instrumental mixed bag keep Longing interesting, but I wonder what’s next for Kordan.  Logically, the progression favors total ethereal bliss (as it is, the lyrics seem secondary), but I accept all bets. 

For now, the band keeps busy with live shows in and around New York City.  Visit their Website / Myspace / Facebook for more information. The Longing is set to officially release in February of 2010.  You can preview the album here.

Blindness was the second Saramago book I read. A few years ago I read The Double which was one of the most unique books I've ever read. While this was just as creatively different as the first one this one was must more bleak. In fact it was perhaps the bleakest thing I have ever read. The Road--for which one could draw many parallels--is the only book I could compare the bleakness.

There were times when it was just strength of will to get through the most disgusting bits. The Road would become overwhelming but I never felt I was being assaulted like I did with this one.

The book really has two parts: before and after the blind victims are confined to a mental hospital by the government. The second part is the most rewarding part of the novel, but I bet a lot of people give up before they get that far.

The best argument for reading this book is that it will make you think about the concept of blindness on all levels: psychological, spiritual, intellectual, and physical.

It's hard to believe that it's been a decade since Y2K.

In 1999, the doomsayers predicted the end of the world as we know it - in the form of computers all over the world crashing because of the so-called millennium bug. It never made sense to me, I mean if it were a problem, couldn't you just change the date ?

I spent the New Year's eve in Vietnam, away from civilization. The next day, nothing changed. Not even an incident. All that scare were for thing. But it wasn't all for nothing, the Y2K bug inspired quite a few things - among them, music, televisions, and books.

WHO'S AFRAID OF Y2K?
geometrid.co.uk ♥ myspace.com

There was a period when I tracked down all the projects that were related to Belle & Sebastian, including The Gentle Waves/Isobel Campbell and Looper. Looper was was basically B&S's Stuart David and his wife, Karn, who actually met via penpalism (as told by their song, Impossible Things).

They did garner a bit of fame through "Mondo '77", a really great catchy "binary"-video gamey song (it's been featured in Vanilla Sky, video games, and anti-drugs commercials). But unfortunately, their third (and final?) album, The Snare did not have any really catchy songs. The ruder and darker themed album was due to David's book The Peacock Manifesto (whos character also appears on the cover and songs of The Snare).

Anyway, in 1999, Looper released a double A-Side called Who's Afraid of Y2K? and Up A Tree Again, which I picked up, among other singles, at a Flaming Lips show (Looper was opening up for the band).

Both are excellent songs, although there were two remixes of "Up A Tree Again". I normally don't like remixes, but these were pretty different from the original album (which actually sounds pretty stale compared to these upbeat mixes). The "singles mix" of "Up a Tree Again" was interesting to say the least, focusing mostly on the "la-na-na-na" section and DJ-scratches, while the Chocolate Layers remix was pretty much only the "la-na-na-na" section.

Looking back, I suppose "Who's Afraid of Y2K?" song was a bit of novelty. Ironically enough, the song was awashed in electronic quirks and beats - all the things that Y2K would've destroyed supposedly.

Currently, Looper's on hiatus. I haven't heard much in terms of a new David novel or Looper release. Most of the recent releases were made free on their website, geometrid.co.uk.

BRAVE OLD WORLD
dccomics.com/vertigo

I thought the concept behind this William Messner-Loebs-written Vertigo mini-series was interesting enough: a group of computer hackers working on a solution to the Y2K bug at the end of 1999 - only to find themselves in 1900.

The series explored some interesting concept, like what would you do, if you had all this computer/understanding of technology, only to be trapped in a world that still operated via candlelight? The women in the comics had it worst, let's face it, women didn't exactly have freedom back then. And if you were doing something strange, you're a witch and killed, etc.

So what's the group to do to try and back to 2000? They had to build a computer, by "inventing" their own technology.

Like I said, a very interesting concept. It sort of got a bit boring towards the end (by the last issue, I didn't really care for the characters so much).

Vertigo comics has yet to collect this in a trade, I suppose after the Y2K fiasco, it probably wouldn't be worth reading. I mean, we all know as fantastic as going back in 1900 would be, it didn't happen - just like the Y2K didn't happen. Still, if you want to re-live what it was like, or what Messner-Loebs was thinking back in 1999.

PREPARE YOURSELF FOR Y10K

Chances are, I'll be dead, so I wouldn't care so much what would happen. Wikipedia thinks it's a problem, but I suspect by the year 10,000, that our computing technology would be so advance, it wouldn't amount to anything.

Until then, have a great New Year. Take care of each other. I'll see you in 2010.

Subscribe to our show at gcast.com (RSS), more information at podcast.w♥m.com.

BRITPOPCAST #6: THE GIRLS OF BRITPOP (wave 2)

The show was actually longer, but I'm including more Jarvis-stalking festivities until next week. This week is all about the second wave of girls of Britpop (the first wave consists of Powder, Sleeper, Salad, Echobelly, Elastica). Since we've talked so much about them already, I thought talking about the second wave was a little more interesting.

Second wave:

• Kenickie (Lauren Laverne - all girls band)
• Kenickie, believe it or not, was the only all-girls Britpop band.  There was another band called Fluffy around this era, but they were more hard-rock than brit-pop.  While Fluffy's ultimate was branded with "eight tits no talent", Kenickie was more loved in general.  While their music is often more polished punk/pop early on, they shifted their sound to more lounge for their second album.  Obviously the band was still in their infancy ... but eventually broke up shortly after the second album.
  
• Lush (Miki Berenyi & Emma Anderson)
• In early Lush's history, they were two best friends, Miki Berenyi & Emma Anderson.  They were fanzine producers, and started their own band based on their love of shoegazing music with their EPs and debut album Spooky. You can hear their love of melodies as they sing in and out.  Of course, when you have two songwriters, they often clash if they have other interests.  In this case, at the time Split came out in 1994, some of the songs were clearly "britpop"esque.  Even the naming of the album (Split) was an indication, between aggressive pop songs like "Kiss Chase" and "Hypocrite" - the britpop songs would later continue with "Ladykiller" and their ultimate britpop moment with Jarvis Cocker on "Ciao!"  While I did tend to like the Miki songs, Emma did coin a few great pop gems like "Shake Baby Shake" (which is about the love of her car).
  
• When we heard that drummer, Chris Acland committed suicide by hanging himself, we all knew the band would be split up after this.  And it's true, they never quite recover.  I was lucky enough to catch them before the tragedy and continued to follow to see what the band's been up to.  The last I heard, Emma is in Sing-Sing, which had a great pop song called "Feels Like Summer".
  
• Catatonia (Cerys Matthews)
• Since we previously talked about Catatonia in our previous Welsh Britpop bands, I'll only briefly mention them here.  The thing with Catatonia for me was that each of their song was either a hit or miss... no inbetween feeling.  I either hated or love it. But the songs I really love, I really love, so that makes up for them.  I love the way Cerys sings, in fact, all Welsh people have a particularly weird accent to them and it's always a nice earful when you do hear them sing or talk.  It's like they're speaking English, but learned it from another planet.
• Favorite songs: "Mulder & Scully", "I Am the Mob", "Karaokee Queen",  "Road Rage", "Dead from the Waist Down"
  
• Theaudience (Sophie Ellis-Bextor)
• This was a very brief band from 97-99, fronted by Sophie Ellis-Bextor - who went on to have a series of very successful Eurodisco releases.  I must admit, I never followed the band that much - they arrived a little too late for me.  I didn't buy their debut album (it was never released in the US), but managed to get their debut single, "I Got the Wherewithal".  The song is quite good, and even their b-side "Penis Size and Cars" is amusingly catchy.
  
• Bis (Amanda MacKinnon)
• I love this Scottish band.  Although they were far too "kiddish" in their cute unreadable spellings and anime-influence, they were pretty damn cute and catchy.  Songs like "Kandy Pop" topped many playlist around this time, although in retrospect, looking back, it was a pretty mindless dum (dumb as in DUM) song.  Unfortunately, many people, including myself, didn't regard Bis as a Britpop band, but they're often grouped in.  My favorite song: "Action & Drama"!
  

Honorable mentions:

• Black Box Recorder (Sarah Nixey)
• Very catchy/dancey, but not Britpop.  Their bassist is Luke Haines, formerly of the Britpop band The Auteurs.
  
• Dubstar (Sarah Blackwood)
• This British act came out during the birth of Britpop, but they were far too alternative-dance/electronica to be considered Britpop.  The singer is Sarah Blackwood, who, I reckon the band ditched toward their later music releases.
  
• Sneaker Pimps (Kelli Dayton)
• Fluffy
  
• Republica (Saffron)
  
• Fat Les (Lily Allen sings on their last single???)
  

Dear Minnesota,

I’ve been a little busy performing Christmas miracles, lunching with the Obamas, and bestowing bad karma. But I wanted to send you a quick note to say I’m sorry. Sorry for the snow. If it makes you feel better, I was aiming for Wisconsin.

Love,

GOD. 

Cold, sad Midwest, warm your hearts this season with a music video. Inspired by the misery of being on weather lock-down, our friends in UltraChorus spent the holidays shooting a video for “Margins” (from the recently released Ultra-Def).  The finished product is both wistful and mildly unsettling (the shaky camera, bright lights, creepy slow walking, and 2:24 – 2:30 reminds me of a dream I once had wherein the unassuming drifter killed me in the end).  Check it out!

Also, Minneapolitans, mark your calendars:  UltraChorus is playing at the Kitty Cat Klub this Saturday, Jan. 2^nd (2010!).  Visit their Myspace or website for more information.

UltraChorus "Margins" Video

 12/29/2009 00:51:52 ♥ lara (/lara206.vox.com) ♥ ultrachorus.com ♥ myspace.com/ultrachorus